| American Museum of Natural History | |
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| Established | 1869 |
| Location | Central Park West at 79th Street, New York City, United States |
| Type | Natural History |
| Visitor figures | About 5 million visits annually[1][2] |
| Director | Ellen V. Futter |
| Public transit access | Bus: M7, M10, M11, M79 Subway: 81 St - Museum of Natural History |
| Website | |
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American Museum of Natural History
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| NRHP Reference#: | 76001235[3] |
| Added to NRHP: | June 24, 1976 |
The American Museum of Natural History (abbreviated as AMNH), located on the Upper West Side of Manhattan in New York City, United States, is one of the largest and most celebrated museums in the world. Located in park-like grounds across the street from Central Park, the Museum comprises 25 interconnected buildings that house 46 permanent exhibition halls, research laboratories, and its renowned library.
The collections contain over 32 million specimens, of which only a small fraction can be displayed at any given time. The Museum has a scientific staff of more than 200, and sponsors over 100 special field expeditions each year.[4]
According to the travel magazine, Travel + Leisure, the Museum was ranked seventh in its list of "the most-visited museums in the world" in November 2011. Also, it was ranked fourth, as the most-visited museum in America in the same article.[1]
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The Museum was founded in 1869. Prior to construction of the present complex, the Museum was housed in the Arsenal building in Central Park. Theodore Roosevelt, Sr., the father of the 26th U.S. President, was one of the founders along with John David Wolfe, William T. Blodgett, Robert L. Stuart, Andrew H. Green, Robert Colgate, Morris K. Jesup, Benjamin H. Field, D. Jackson Steward, Richard M. Blatchford, J. Pierpont Morgan, Adrian Iselin, Moses H. Grinnell, Benjamin B. Sherman, A. G. Phelps Dodge, William A. Haines, Charles A. Dana, Joseph H. Choate, Henry G. Stebbins, Henry Parish, and Howard Potter. The founding of the Museum realized the dream of naturalist Dr. Albert S. Bickmore. Bickmore, a one-time student of Harvard zoologist Louis Agassiz, lobbied tirelessly for years for the establishment of a natural history museum in New York. His proposal, backed by his powerful sponsors, won the support of the Governor of New York, John Thompson Hoffman, who signed a bill officially creating the American Museum of Natural History on April 6, 1869.[5]
In 1874, the cornerstone was laid for the Museum's first building, which is now hidden from view by the many buildings in the complex that today occupy most of Manhattan Square. The original Victorian Gothic building, which was opened in 1877, was designed by Calvert Vaux and J. Wrey Mould, both already closely identified with the architecture of Central Park.[6]:19-20 It was soon eclipsed by the south range of the Museum, designed by J. Cleaveland Cady, an exercise in rusticated brownstone neo-Romanesque, influenced by H. H. Richardson.[7] It extends 700 feet (210 m) along West 77th Street,[8] with corner towers 150 feet (46 m) tall. Its pink brownstone and granite, similar to that found at Grindstone Island in the St. Lawrence River, came from quarries at Picton Island, New York.[9] The entrance on Central Park West, the New York State Memorial to Theodore Roosevelt, completed by John Russell Pope in 1936, is an overscaled Beaux-Arts monument.[10] It leads to a vast Roman basilica, where visitors are greeted with a cast of a skeleton of a rearing Barosaurus defending her young from an Allosaurus. The Museum is also accessible through its 77th street foyer, renamed the "Grand Gallery" and featuring a fully suspended Haida canoe. The hall leads into the oldest extant exhibit in the Museum, the hall of Northwest Coast Indians.[11]
Since 1930 little has been added to the original building. The Museum's south front, spanning 77th Street from Central Park West to Columbus Avenue was cleaned, repaired and re-emerged in 2009. Steven Reichl, a spokesman for the Museum, said that work would include restoring 650 black-cherry window frames and stone repairs. The Museum’s consultant on the latest renovation is Wiss, Janney, Elstner Associates, Inc., an architectural and engineering firm with headquarters in Northbrook, IL.[7]
The museum's first two presidents were John David Wolfe (1870–1872) and Robert L. Stuart (1872–1881), both among the museum's founders. The museum was not put on a sound footing until the appointment of the third president, Morris K. Jesup (also one of the original founders), in 1881. Jesup was president for over 25 years, overseeing its expansion and much of its golden age of exploration and collection. The fourth president, Henry Fairfield Osborn, was appointed in 1906 on the death of Jesup. Osborn consolidated the museum's expansion, developing it into one of the world's foremost natural history museums. F. Trubee Davison was president from 1933 to 1951, with A. Perry Osborn as Acting President from 1941 to 1946. Alexander M. White was president from 1951 to 1968. Gardner D. Stout was president from 1968 to 1975. Robert G. Goelet from 1975 to 1988. George D. Langdon, Jr. from 1988 to 1993. Ellen V. Futter has been president of the museum since 1993.[12]
Famous names associated with the Museum include the paleontologist and geologist Henry Fairfield Osborn; the dinosaur-hunter of the Gobi Desert, Roy Chapman Andrews (one of the inspirations for Indiana Jones);[6]:97-8 George Gaylord Simpson; biologist Ernst Mayr; pioneer cultural anthropologists Franz Boas and Margaret Mead; explorer and geographer Alexander H. Rice, Jr.; and ornithologist Robert Cushman Murphy. J. P. Morgan was also among the famous benefactors of the Museum.
The Museum boasts habitat dioramas of African, Asian and North American mammals, a full-size model of a Blue Whale suspended in the Milstein Family Hall of Ocean Life, sponsored by the family of Paul Milstein (reopened in 2003), a 62 foot (19 m) Haida carved and painted war canoe from the Pacific Northwest, a massive 31 ton piece of the Cape York meteorite, and the Star of India, the largest star sapphire in the world.[14] The circuit of an entire floor is devoted to vertebrate evolution.
The Museum has extensive anthropological collections: Asian People, Pacific People, Man in Africa, American Indian collections, general Native American collections, and collections from Mexico and Central America.
Since its opening in 1936, the Akeley Hall has been considered by many to be one of the world’s greatest museum displays. The hall is named after Carl Akeley (1864–1926), the explorer, conservationist, taxidermist, sculptor and photographer who conceived of, designed and created the hall. Akeley led teams of scientists and artists on three expeditions to Africa during the first two decades of the 20th century, wherein he and his colleagues carefully studied, catalogued, and collected the plants and animals that even then were disappearing. He brought many specimens from the expeditions back to the Museum, and used them to create the hall, with its twenty-eight dioramas.
The dioramas do not simply evoke the sites that Akeley visited—they replicate specific animals in specific geographic locations at a specific time. In creating these works, Akeley forever changed the practice of taxidermy—the stuffing and mounting of the skins of animals. Until then animal skins had been stuffed with straw or wood shavings. Akeley, however, began by re-creating the animal’s shape with an armature made of wood, wire, and sometimes parts of the actual skeleton. He then used clay to add on each muscle, tendon, and vein. When this work was complete, he made a cast of it, and fit the animal’s skin over the cast. This meticulous attention to veracity—which was applied not merely to the taxidermic mounts but the plants, background paintings and even the light in the dioramas—resulted in fastidiously realistic, vivid reproductions of the world that Akeley wanted to preserve.[15]
During Akeley’s final expedition, he fell ill and died. He was buried in Albert National Park (now Virunga National Park), the first wildlife sanctuary in central Africa, which he had helped to establish. The mountain location of his grave is near the scene depicted in the gorilla diorama in this hall.
The Arthur Ross Hall of Meteorites contains some of the finest specimens in the world including Ahnighito, a section of the 200 ton Cape York meteorite which was found at the location of the same name in Greenland. The meteorite's great weight—at 34 tons, makes it the largest meteorite on display at any museum in the world[16]—requires support by columns that extend through the floor and into the bedrock below the Museum.[17]
The hall also contains extra-solar nanodiamonds (diamonds with dimensions on the nanometer level) more than 5 billion years old. These were extracted from a meteorite sample through chemical means, and they are so small that a quadrillion of these fit into a volume smaller than a cubic centimeter.[18]
The Bernard and Anne Spitzer Hall of Human Origins, formerly The Hall of Human Biology and Evolution, opened on February 10, 2007.[19] Originally known under the name "Hall of the Age of Man", at the time of its original opening in 1921 it was the only major exhibition in the United States to present an in-depth investigation of human evolution.[20] The displays traced the story of Homo sapiens, illuminated the path of human evolution and examined the origins of human creativity.
Many of the celebrated displays from the original hall can still be viewed in the present expanded format. These include life-size dioramas of our human predecessors Australopithecus afarensis, Homo ergaster, Neanderthal, and Cro-Magnon, showing each species demonstrating the behaviors and capabilities that scientists believe they were capable of. Also displayed are full-sized casts of important fossils, including the 3.2-million-year-old Lucy skeleton and the 1.7-million-year-old Turkana Boy, and Homo erectus specimens including a cast of Peking Man.
The hall also features replicas of ice age art found in the Dordogne region of southwestern France. The limestone carvings of horses were made nearly 26,000 years ago and are considered to represent the earliest artistic expression of humans.[21]
The Harry Frank Guggenheim Hall of Minerals houses hundreds of unusual geological specimens. It adjoins the Morgan Memorial Hall of Gems showcasing many rare, and valuable gemstones.=]
On display are many renowned samples that are chosen from among the Museum's more than 100,000 pieces. Included among these are the Patricia Emerald, a 632 carat (126 g), 12 sided stone that is considered to be one of the world's most fabulous emeralds. It was discovered during the 1920s in a mine high in the Colombian Andes and was named for the mine-owner's daughter. The Patricia is one of the few large gem-quality emeralds that remains uncut.[22] Also on display is the 563 carat (113 g) Star of India, the largest, and most famous, star sapphire in the world. It was discovered over 300 years ago in Sri Lanka, most likely in the sands of ancient river beds from where star sapphires continue to be found today. It was donated to the Museum by the financier J.P. Morgan. The thin, radiant, six pointed star, or asterism, is created by incoming light that reflects from needle-like crystals of the mineral rutile which are found within the sapphire. The Star of India is polished into the shape of a cabochon, or dome, to enhance the star's beauty.[23] Among other notable specimens on display are a 596 pound (270 kg) topaz, a 4.5 ton specimen of blue azurite/malachite ore that was found in the Copper Queen Mine in Bisbee, Arizona at the turn of the century;[24] and a rare, 100 carat (20 g) orange-colored padparadschan sapphire from Sri Lanka, considered "the mother of all pads."[25] The collection also includes the Midnight Star Ruby, a 116.75-carat deep purplish-red star ruby.
On October 29, 1964, the Star of India, along with several other precious gems including the Eagle Diamond and the de Long Ruby, was stolen from the Museum by several thieves.[26] The group of burglars, which included Jack Murphy, gained entrance by climbing through a bathroom window they had unlocked hours before the Museum was closed. The Star of India and other gems were later recovered from a locker in a Miami bus station, but the Eagle Diamond was never found; it may have been recut or lost.[27]
The Milstein Hall of Ocean Life opened in 1933 and was renovated in 1969 and later 2003. In the first of these renovations the hall's star attraction appeared; the 94-foot (29 m)-long[28] blue whale model, which is suspended from the ceiling behind its dorsal fin. It was redesigned dramatically in the 2003 renovation: its flukes and fins were readjusted, a navel was added, and was repainted from a dull gray to various rich shades of blue. Other notable exhibits in this hall include the Andros Coral Reef Diorama, which is the only two-level diorama in the Western Hemisphere.[29]
Most of the Museum's collections of mammalian and dinosaur fossils remain hidden from public view. They are kept in numerous storage areas located deep within the Museum complex. Among these, the most significant storage facility is the ten story Childs Frick Building which stands within an inner courtyard of the Museum. During construction of the Frick, giant cranes were employed to lift steel beams directly from the street, over the roof, and into the courtyard, in order to ensure that the classic museum façade remained undisturbed. The predicted great weight of the fossil bones led designers to add special steel reinforcement to the building's framework, as it now houses the largest collection of fossil mammals and dinosaurs in the world. These collections occupy the basement and lower seven floors of the Frick Building, while the top three floors contain laboratories and offices. It is inside this particular building that many of the Museum's intensive research programs into vertebrate paleontology are carried out.
Other areas of the Museum contain repositories of life from thousands and millions of years in the past. The Whale Bone Storage Room is a cavernous space in which powerful winches come down from the ceiling to move the giant fossil bones about. Upstairs in the Museum attic there are yet more storage facilities including the Elephant Room, and downstairs from that space one can find the tusk vault and boar vault.[6]:119-20
The great fossil collections that are open to public view occupy the entire fourth floor of the Museum as well as a separate exhibit that is on permanent display in the Theodore Roosevelt Memorial Hall, the Museum's main entrance. The fourth floor exhibits allow the visitor to trace the evolution of vertebrates by following a circuitous path that leads through several Museum buildings. On the 77th street side of the Museum the visitor begins in the Orientation Center and follows a carefully marked path, which takes the visitor along an evolutionary tree of life. As the tree "branches" the visitor is presented with the familial relationships among vertebrates. This evolutionary pathway is known as a cladogram.
To create a cladogram, scientists look for shared physical characteristics to determine the relatedness of different species. For instance, a cladogram will show a relationship between amphibians, mammals, turtles, lizards, and birds since these apparently disparate groups share the trait of having 'four limbs with movable joints surrounded by muscle', making them tetrapods. A group of related species such as the tetrapods is called a "clade". Within the tetrapod group only lizards and birds display yet another trait: "two openings in the skull behind the eye". Lizards and birds therefore represent a smaller, more closely related clade known as diapsids. In a cladogram the evolutionary appearance of a new trait for the first time is known as a "node". Throughout the fossil halls the nodes are carefully marked along the evolutionary path and these nodes alert us to the appearance of new traits representing whole new branches of the evolutionary tree. Species showing these traits are on display in alcoves on either side of the path. A video projection on the Museum's fourth floor introduces visitors to the concept of the cladogram, and is popular among children and adults alike.
Many of the fossils on display represent unique and historic pieces that were collected during the Museum's golden era of worldwide expeditions (1880s to 1930s).[5] On a smaller scale, expeditions continue into the present and have resulted in additions to the collections from Vietnam, Madagascar, South America, and central and eastern Africa.
The fourth-floor halls include the Hall of Vertebrate Origins, Hall of Saurischian Dinosaurs (recognized by their grasping hand, long mobile neck, and the downward/forward position of the pubis bone, they are forerunners of the modern bird),[30] Hall of Ornithischian Dinosaurs (defined for a pubic bone that points toward the back), Hall of Primitive Mammals, and Hall of Advanced Mammals.
Among the many outstanding fossils on display include:
There are also a Triceratops and a Stegosaurus on display, among many other specimens.
Renowned naturalists, artists, photographers, taxidermists and other Museum personnel have blended their talents to create the great habitat dioramas which can be found in halls throughout the Museum. Born in an era of black-and-white photography, when wildlife photography was in its earliest stages, the dioramas have themselves become major historic attractions. Notable among them is the Akeley Hall of African Mammals which opened in 1936.[36] The enormous hall showcases the vanishing wildlife of Africa, in spaces where the human presence is notably absent, and includes hyperrealistic depictions of elephants, hippopotamuses, lions, gorillas, zebras, and various species of antelope, including the rarely-seen aquatic sitatunga.[37] Some of the displays are up to 18 feet (5 m) in height and 23 feet (7 m) in depth.
Carl Akeley was an outstanding taxidermist employed at the Field Museum in Chicago when the American Museum of Natural History sent him to Africa to collect elephant hides. Akeley fell in love with the rainforests of Africa and decried the encroachment of farming and civilization into formerly pristine natural habitats. Fearing the permanent loss of these natural areas, Akeley was motivated to educate the American public by creating the hall that bears his name. Akeley died in 1926 from infection while exploring the Kivu Volcanoes in his beloved Belgian Congo, an area near to that depicted by the hall's gorilla diorama.[6]:79
With the 1942 opening of the Hall of North American Mammals, diorama art reached a pinnacle. It took more than a decade to create the scenes depicted in the hall which includes a 432 square foot (40 m²) diorama of the American bison.
Today, although the art of diorama has ceased to be a major exhibition technique, dramatic examples of this art form are still occasionally employed. In 1997 Museum artists and scientists traveled to the Central African Republic to collect samples and photographs for the construction of a 3,000 square foot (300 m²) recreation of a tropical West African rainforest, the Dzanga-Sangha rain forest diorama in the Hall of Biodiversity.[38]
Other notable dioramas, some dating back to the 1930s have been restored in the Milstein Hall of Ocean Life. The hall is a 29,000 square foot (2,700 m²) bi-level room that includes a delicately mounted 94 foot (29 m) long model of a Blue Whale swimming beneath and around video projection screens and interactive computer stations. Among the hall's notable dioramas is the "sperm whale and giant squid", which represents a true melding of art and science since an actual encounter between these two giant creatures at over one half mile depth has never been witnessed. Another celebrated diorama in the hall represents the "Andros coral reef" in the Bahamas, a two-story-high diorama that features the land form of the Bahamas and the many inhabitants of the coral reef found beneath the water's surface.
The Hayden Planetarium, connected to the Museum, is now part of the Rose Center for Earth and Space, housed in a glass cube containing the spherical Space Theater, designed by James Stewart Polshek.[39] The Heilbrun Cosmic Pathway is one of the most popular exhibits in the Rose Center, which opened February 19, 2000.[19]
The original Hayden Planetarium was founded in 1933 with a donation by philanthropist Charles Hayden. Opened in 1935,[40] it was demolished and replaced in 2000 by the $210 million Frederick Phineas and Sandra Priest Rose Center for Earth and Space. Designed by James Stewart Polshek, the new building consists of a six-story high glass cube enclosing a 87-foot (27 m) illuminated sphere that appears to float — although it is actually supported by truss work. James Polshek has referred to his work as a "cosmic cathedral".[41] The Rose center and its adjacent plaza, both located on the north facade of the Museum, are regarded as some of Manhattan's most outstanding recent architectural additions. The facility encloses 333,500 square feet (30,980 m2) of research, education, and exhibition space as well as the Hayden planetarium. Also located in the facility is the Department of Astrophysics, the newest academic research department in the Museum. Further, Polshek designed the 1,800-square-foot (170 m2) Weston Pavilion, a 43-foot (13 m) high transparent structure of "water white" glass along the Museum's west facade. This structure, a small companion piece to the Rose Center, offers a new entry way to the Museum as well as opening further exhibition space for astronomically related objects. The planetarium's former magazine, The Sky, merged with "The Telescope", to become the leading astronomy magazine Sky & Telescope.[42]
Tom Hanks provided the voice-over for the first planetarium show during the opening of the new Rose Center for Earth & Space in the Hayden Planetarium in 2000. Since then such celebrities as Whoopi Goldberg, Robert Redford, Harrison Ford and Maya Angelou have been featured.
From its founding, the Library of the American Museum of Natural History has grown into one of the world's great natural history collections. In its early years, the Library expanded its collection mostly through such gifts as the John C. Jay conchological library, the Carson Brevoort library on fishes and general zoology, the ornithological library of Daniel Giraud Elliot, the Harry Edwards entomological library, the Hugh Jewett collection of voyages and travel and the Jules Marcou geology collection. In 1903 the American Ethnological Society deposited its library in the Museum and in 1905 the New York Academy of Sciences followed suit by transferring its collection of 10,000 volumes. Today, the Library's collections contain over 550,000 volumes of monographs, serials, pamphlets, reprints, microforms, and original illustrations, as well as film, photographic, archives and manuscripts, fine art, memorabilia and rare book collections. The Library collects materials covering such subjects as mammalogy, earth and planetary science, astronomy and astrophysics, anthropology, entomology, herpetology, ichthyology, paleontology, ethology, ornithology, mineralogy, invertebrates, systematics, ecology, oceanography, conchology, exploration and travel, history of science, museology, bibliography, genomics, and peripheral biological sciences. The collection is rich in retrospective materials — some going back to the 15th century — that are difficult to find elsewhere.[43]
The Museum has a scientific staff of more than 200, and sponsors over 100 special field expeditions each year. Many of the fossils on display represent unique and historic pieces that were collected during the Museum's golden era of worldwide expeditions (1880s to 1930s). Examples of some of these expeditions, financed in whole or part by the AMNH are: Jesup North Pacific Expedition, the Whitney South Seas Expedition, the Roosevelt-Rondon Scientific Expedition, the Crocker Land Expedition, and the expeditions to Madagascar and New Guinea by Richard Archbold. On a smaller scale, expeditions continue into the present. The Museum also publishes several peer-reviewed journals, including the Bulletin of the American Museum of Natural History.[44]
AMNH's education programs include outreach to schools in New York city by the Moveable Museum.[45][46][47][48][49][50][51][52][53][54][55][56][57]
The Museum is located at 79th Street and Central Park West, accessible via the B C trains of the New York City Subway. There is a low-level floor direct access to the Museum via the 81st Street - Museum of Natural History subway station on the IND Eighth Avenue Line at the south end of the upper platform (where the uptown trains arrive).
The Museum also houses the stainless steel time capsule designed after a competition won by Santiago Calatrava, which was sealed at the end of 2000 to mark the millennium. It takes the form of a folded saddle-shaped volume, symmetrical on multiple axes, that explores formal properties of folded spherical frames, which Calatrava described as a flower.[58] It stands on a pedestal outside the Museum's Columbus Avenue entrance. The capsule is to remain sealed until the year 3000.
The museum is situated in a 17-acre (69,000 m2) park known as "Theodore Roosevelt Park". The park contains pleasant park benches, beautiful gardens and fields, and a dog run. This small park has made the area around the museum very desirable and some of the most expensive real estate in the Upper West Side (even more so after the completion of the renovation of the southern-facing museum facade) lies in this area. In 2007 it was not uncommon to see museum facing apartments sell for as much as $2000 per square foot. Additionally, the museum is surrounded by many gourmet restaurants that have outdoor cafes where patrons can sit outside and enjoy the view.
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